Documentations/Entries VIS160A
Week 1:
Sample/Ideation
Work on: solidifying the concept, practice on 3D/VR softwares
Sample/Ideation
Work on: solidifying the concept, practice on 3D/VR softwares
Week 2:
Started this website, creating timelines.
Research: python on blender
Work on: Create some sample Bonsai, work on sketch.
Think about: How to incorporate the durational aspect of the bonsai art on computer?
Started this website, creating timelines.
Research: python on blender
Work on: Create some sample Bonsai, work on sketch.
Think about: How to incorporate the durational aspect of the bonsai art on computer?
Week 3:
Python on blender
Documentations:
https://www.youtube.com/watch?v=5e56gdHZtB0&t=1s
- How to create a mesh and apply subdivision (mesh) using python scripting
https://www.youtube.com/watch?v=VAmNUSUdVA0
- scale up, down, rotate, transform, etc on axis. Select the object
How to incorporate this in the project??
I don't think it's efficient to have my computer outside during the exhibition, how would the user input be detected?
Connect Arduino? (with buttons)
I could do a projection mapping to emulate the 'alive' aspect - Kinect cameras and touchDesigner?
- expensive
Does it 'need' the human input aspect? can it be an animation with projection mapping? or can it be the projection mapping?
1/22/23
https://www.youtube.com/watch?v=ud3RE9wM0P0
- beauty of 'line' rather than visually appealing - emphasizing the line shape.
- representing the hardships of nature
- emotional maturity
https://www.youtube.com/watch?v=COWIGUwS8u0
- bonsai trees for beginners
- one of the big components of bonsai art is also in its difficulty of taking care of the tree. (knowledge and care is needed)
- indoor vs outdoor
Python on blender
Documentations:
https://www.youtube.com/watch?v=5e56gdHZtB0&t=1s
- How to create a mesh and apply subdivision (mesh) using python scripting
https://www.youtube.com/watch?v=VAmNUSUdVA0
- scale up, down, rotate, transform, etc on axis. Select the object
How to incorporate this in the project??
I don't think it's efficient to have my computer outside during the exhibition, how would the user input be detected?
Connect Arduino? (with buttons)
I could do a projection mapping to emulate the 'alive' aspect - Kinect cameras and touchDesigner?
- expensive
Does it 'need' the human input aspect? can it be an animation with projection mapping? or can it be the projection mapping?
1/22/23
https://www.youtube.com/watch?v=ud3RE9wM0P0
- beauty of 'line' rather than visually appealing - emphasizing the line shape.
- representing the hardships of nature
- emotional maturity
https://www.youtube.com/watch?v=COWIGUwS8u0
- bonsai trees for beginners
- one of the big components of bonsai art is also in its difficulty of taking care of the tree. (knowledge and care is needed)
- indoor vs outdoor
https://www.youtube.com/watch?v=g5-pojDKBNI
- no 'straight' lines
- the vase is as important as the tree itself
- the base is extremely important as it can not be changed - the top can be.
- no 'straight' lines
- the vase is as important as the tree itself
- the base is extremely important as it can not be changed - the top can be.
https://www.youtube.com/watch?v=IYRmHjA1HiA
- creating a miniature representation of nature
- grown for centuries
- giving stability to unstable objects (bonsai trees) with love and passion
- changing the tree to liking with passion, the change is different based on the caretaker even if they all started with the same tree.
- three years for a tree to grow from a root, five years to change.
- process of change - the vision does not always come true - adapting to the change of the bonsai tree.
- passing down the art to generations after to carry.
- the oldest bonsai tree - over 1000 years old. - kind of like a historical object
- however, it is not all about how long it takes - it must be 'good'
- creating a miniature representation of nature
- grown for centuries
- giving stability to unstable objects (bonsai trees) with love and passion
- changing the tree to liking with passion, the change is different based on the caretaker even if they all started with the same tree.
- three years for a tree to grow from a root, five years to change.
- process of change - the vision does not always come true - adapting to the change of the bonsai tree.
- passing down the art to generations after to carry.
- the oldest bonsai tree - over 1000 years old. - kind of like a historical object
- however, it is not all about how long it takes - it must be 'good'
https://www.youtube.com/watch?v=LL7Tl5JT56s
- feeling the power of nature / tree
- amount of time and care that is required
- feeling the power of nature / tree
- amount of time and care that is required
https://www.youtube.com/watch?v=1yt_alRCZik
- strength, movement,
- weakness: straight line with no intensions - boring.
https://www.youtube.com/watch?v=C_NUfea_oac
- choosing the right location to place the bonsai is important
- the leaves do not always have to be full, but stronger leaves are important (with intension)
- shade - longer leaves (minus parviflora)
- where you place the vase is also important - make an opening for the water - maybe something like a wooden plate
- extreme heat is harmful
- cut the stronger leaves off to give strength to the weaker ones
https://www.youtube.com/watch?v=u0yFwddYAWM
- importance of fertilizer for bonsai
- harder fertilizer that will not break is better (better for water circulation)
- amount of fertilizer - half the amount of the inner diameter
- use wires to bend
https://shugaten.com/3040626685123982252226412qa.html
- bonsai q&a
- care usually happens outdoor - indoor (unless indoor plant) is usually for 3-4 days
- once dry, water enough until the water comes out of the water hole.
(spring and autumn: 1-2 times a day, summer: 2-3 times a day, and winter: once in 2 days.)
- under 20cm: small (shonin bonsai), 20-60cm: middle, over 60cm: large
- sometimes the bonsai artists peel off the skin and create white lines (舎利入れ)
- this creates uniqueness
https://www.youtube.com/watch?v=VpARGDVrYYI
- creating lines on the tree can also help in creating twists.
-水吸い is where the water travels from the live roots. - always show that part in the front to prohibit the plant from looking un-alive.
- leave that part behind and create cuts to the root in a twist motion
- cutting/ shaving off the dead parts in lines create interesting indentations / projections
https://www.japan-bonsai.jp/term/#1578984045585-a5acfef4-10d3
- dictionary of relevant words
https://www.youtube.com/watch?v=APeeE9Vl5M4
- symmetry is not always good
- movement and placing of the branch as well as the leaves are very important
- order / organization is not natural
- uniqueness with intension is difficult
- strength, movement,
- weakness: straight line with no intensions - boring.
https://www.youtube.com/watch?v=C_NUfea_oac
- choosing the right location to place the bonsai is important
- the leaves do not always have to be full, but stronger leaves are important (with intension)
- shade - longer leaves (minus parviflora)
- where you place the vase is also important - make an opening for the water - maybe something like a wooden plate
- extreme heat is harmful
- cut the stronger leaves off to give strength to the weaker ones
https://www.youtube.com/watch?v=u0yFwddYAWM
- importance of fertilizer for bonsai
- harder fertilizer that will not break is better (better for water circulation)
- amount of fertilizer - half the amount of the inner diameter
- use wires to bend
https://shugaten.com/3040626685123982252226412qa.html
- bonsai q&a
- care usually happens outdoor - indoor (unless indoor plant) is usually for 3-4 days
- once dry, water enough until the water comes out of the water hole.
(spring and autumn: 1-2 times a day, summer: 2-3 times a day, and winter: once in 2 days.)
- under 20cm: small (shonin bonsai), 20-60cm: middle, over 60cm: large
- sometimes the bonsai artists peel off the skin and create white lines (舎利入れ)
- this creates uniqueness
https://www.youtube.com/watch?v=VpARGDVrYYI
- creating lines on the tree can also help in creating twists.
-水吸い is where the water travels from the live roots. - always show that part in the front to prohibit the plant from looking un-alive.
- leave that part behind and create cuts to the root in a twist motion
- cutting/ shaving off the dead parts in lines create interesting indentations / projections
https://www.japan-bonsai.jp/term/#1578984045585-a5acfef4-10d3
- dictionary of relevant words
https://www.youtube.com/watch?v=APeeE9Vl5M4
- symmetry is not always good
- movement and placing of the branch as well as the leaves are very important
- order / organization is not natural
- uniqueness with intension is difficult
1/23/23
Ideation:
Goal: I want to represent the bonsai art in a way that respects the love and passion of the artists.
I want to represent the patience and passion that it requires to take care of the bonsai - many take years and centuries to create.
However, it is not all about time. The balance and beauty is still extremely important. The craftsmanship and artistry is also highly valued due to the difficulty of maintaining a bonsai.
Ideation:
Goal: I want to represent the bonsai art in a way that respects the love and passion of the artists.
I want to represent the patience and passion that it requires to take care of the bonsai - many take years and centuries to create.
However, it is not all about time. The balance and beauty is still extremely important. The craftsmanship and artistry is also highly valued due to the difficulty of maintaining a bonsai.
Idea1:
- create a code that runs for extended period of time - maybe a week for the exhibition (/years), the code shifts the bonsai art slightly - Projector / projection - Does this also mean I have to leave my computer behind? (animation would take too much time to render - I could make short, quick video (by rendering frame by frame) and edit it to be longer by extending frames?) Idea2: - incorporate user input with python - but would that mean I have to leave my computer there at the exhibition? - Different outputs based on the user input - cringe Idea3: - projection on the 3D printed bonsai art - background would be a family leaving in and out of the entrance, different seasons, etc (that I would film myself) to emphasize the 'living with human' aspect - the durational aspect (change) will not be emphasized, but might be okay as bonsai takes years and centuries to change. Idea4: - Animation (still not sure) Idea5: - VR environment - lacks the durational aspect? can create an animation with Unity to move surrounding objects to emphasize the 'living with human' aspect? |
https://www.youtube.com/watch?v=pbQZLVAcqgo
- how to make a basic transformation animation on blender 2.8
- creating transformation animation using shrink wrap modifier.
- completed
QUESTION:
- ideas - feasible? compelling?
-computer - planning to use Mac at SME - but what about personal?
- crashes with complex materials/shading/sculpting
- crashes with complex animation
- crashes with heavy rendering
- how to make a basic transformation animation on blender 2.8
- creating transformation animation using shrink wrap modifier.
- completed
QUESTION:
- ideas - feasible? compelling?
-computer - planning to use Mac at SME - but what about personal?
- crashes with complex materials/shading/sculpting
- crashes with complex animation
- crashes with heavy rendering
Week 4:
Research durational artworks
- durational artwork is something that is known to be very new - but bonsai has done it for longer.
- Andy Warhol's empire
- Sam Shey locking himself in the cage
- punching bunch of timecards
Do a slow frame rate
BRING IN: a rough durational animation to play for the entire class.
Research durational artworks
- durational artwork is something that is known to be very new - but bonsai has done it for longer.
- Andy Warhol's empire
- Sam Shey locking himself in the cage
- punching bunch of timecards
Do a slow frame rate
BRING IN: a rough durational animation to play for the entire class.
1/26/23
https://performanceartresources.com/home/what-is-performance-art-live-art-action-art/performance-art-live-art-action-art-literature-books-information-and-more/durational-art/
- articles on the performative durational / endurance art
- most of the articles were either subscription / not available:(
https://www.nytimes.com/2020/09/17/t-magazine/Tehching-Hsieh-endurance-art.html
The artist is Present - Marina Abramovic - 'endurance' performative piece (2010)
- exploring the complex connection between the artist and the audience
- pushing the limits of both body and mind
Tehching Hsieh (1978)
- wasting time thinking about art is time spent working hard.
- punching time card every 60 mins and locking himself in his room.
"Douglas Gordon’s “24 Hour Psycho” (1993) slows down the 109-minute Hitchcock classic so that it lasts a full day. Leif Inge’s “9 Beet Stretch” (2002) plays Beethoven’s Ninth Symphony over that same period, morphing it into a majestic tone poem — pure atmosphere."
(from the website)
Andy Warhol's Empire
https://www.moma.org/collection/works/303039
- art about passing time. / explore the passage of time.
- the length / durational aspect is what made the 8 hour Empire State building film so significant - people sense the greatness of life, human advancement, technology inventions, etc
- impactful to the avant-garde cinema
Andy Warhol's sleep (1976)
- 5h 21 mins film of Warhol's boyfriend sleeping in a loop (shorter footage edited and stretched)
- perpetuate unstated life conditions
John Cage Vexations (1893)
- playing the same music 840 times consecutively.
- tiny composition should be played in that manner. (originally written by Satire, performed by John Cage)
- the first ever performance was made feasible by having around 12 pianists who cycled in a 20 minute interval.
John Cage 4”²33”³
- play absolutely nothing during the interval specified by the title.
- I watched the piece being played on YouTube, but the musicians sit there like they have intensions - like opening the piano and closing it, being in position, etc.
https://www.jstor.org/stable/26420582?seq=6#metadata_info_tab_contents
-article on the durational artwork - time and place matters
https://theconversation.com/explainer-extreme-duration-in-the-performing-arts-28808
- John Cage piece, the artist is present piece, etc.
https://performanceartresources.com/home/what-is-performance-art-live-art-action-art/performance-art-live-art-action-art-literature-books-information-and-more/durational-art/
- articles on the performative durational / endurance art
- most of the articles were either subscription / not available:(
https://www.nytimes.com/2020/09/17/t-magazine/Tehching-Hsieh-endurance-art.html
The artist is Present - Marina Abramovic - 'endurance' performative piece (2010)
- exploring the complex connection between the artist and the audience
- pushing the limits of both body and mind
Tehching Hsieh (1978)
- wasting time thinking about art is time spent working hard.
- punching time card every 60 mins and locking himself in his room.
"Douglas Gordon’s “24 Hour Psycho” (1993) slows down the 109-minute Hitchcock classic so that it lasts a full day. Leif Inge’s “9 Beet Stretch” (2002) plays Beethoven’s Ninth Symphony over that same period, morphing it into a majestic tone poem — pure atmosphere."
(from the website)
Andy Warhol's Empire
https://www.moma.org/collection/works/303039
- art about passing time. / explore the passage of time.
- the length / durational aspect is what made the 8 hour Empire State building film so significant - people sense the greatness of life, human advancement, technology inventions, etc
- impactful to the avant-garde cinema
Andy Warhol's sleep (1976)
- 5h 21 mins film of Warhol's boyfriend sleeping in a loop (shorter footage edited and stretched)
- perpetuate unstated life conditions
John Cage Vexations (1893)
- playing the same music 840 times consecutively.
- tiny composition should be played in that manner. (originally written by Satire, performed by John Cage)
- the first ever performance was made feasible by having around 12 pianists who cycled in a 20 minute interval.
John Cage 4”²33”³
- play absolutely nothing during the interval specified by the title.
- I watched the piece being played on YouTube, but the musicians sit there like they have intensions - like opening the piano and closing it, being in position, etc.
https://www.jstor.org/stable/26420582?seq=6#metadata_info_tab_contents
-article on the durational artwork - time and place matters
https://theconversation.com/explainer-extreme-duration-in-the-performing-arts-28808
- John Cage piece, the artist is present piece, etc.
1/28/23
The 3 Biggest Inspirations:
Andy Goldsworthy (contemporary land art, environmental art)
-location specific art (both natural and urban settings)
- question the fragility of nature, using nature as the canvas to create works of unparalleled beauty.
- "Goldsworthy works almost telepathically with nature, rearranging its natural forms in such a way as to enhance rather than detract from their beauty. Often quite small in scale, his poetic site-specific pieces are made from ephemeral or organic materials - dandelion flowers lain in a ring or icicles perched on a rock - and then documented through gorgeous color photographs." (https://www.theartstory.org/artist/goldsworthy-andy/)
- his work reflect on the concept of time - the piece he creates naturally fades into the land where it originally belonged to.
Golds creates a location specific art which explores the concept of time by constructing a piece made out of completely natural materials and placing them back to the original location where it belonged. He works to construct the work in "a way to enhance rather than detract from their beauty." I thought that the small scale of the work as well as the interest in time is somewhat relatable to the bonsai art's durational aspect as well as the reproduction of the natural world aspect.
The 3 Biggest Inspirations:
Andy Goldsworthy (contemporary land art, environmental art)
-location specific art (both natural and urban settings)
- question the fragility of nature, using nature as the canvas to create works of unparalleled beauty.
- "Goldsworthy works almost telepathically with nature, rearranging its natural forms in such a way as to enhance rather than detract from their beauty. Often quite small in scale, his poetic site-specific pieces are made from ephemeral or organic materials - dandelion flowers lain in a ring or icicles perched on a rock - and then documented through gorgeous color photographs." (https://www.theartstory.org/artist/goldsworthy-andy/)
- his work reflect on the concept of time - the piece he creates naturally fades into the land where it originally belonged to.
Golds creates a location specific art which explores the concept of time by constructing a piece made out of completely natural materials and placing them back to the original location where it belonged. He works to construct the work in "a way to enhance rather than detract from their beauty." I thought that the small scale of the work as well as the interest in time is somewhat relatable to the bonsai art's durational aspect as well as the reproduction of the natural world aspect.
Andy Warhol
- Sleep and Empire.
- I noticed the similarity in the both film's durational aspect. In the case of Andy Warhol's piece, I felt that it was something that became relevant because of its duration - if it was only a snapshot of the Empire State Building, would it have had much impact? (The same with sleep - despite the technical difficulties prohibiting him from filming the full 6 hours of footage, having only a short span of footage on loop would not have had much impact. Obviously it is also about the subject that was being filmed / the content. I noticed that in some aspect, the concept of time/duration is somewhat similar to the bonsai art. Bonsai art does not become significant just because of its duration/history, and I feel that it has much more to do than just the passing of time, (balance, beauty, craftsmanship, etc) but I did think that it was somewhat similar.
- Sleep and Empire.
- I noticed the similarity in the both film's durational aspect. In the case of Andy Warhol's piece, I felt that it was something that became relevant because of its duration - if it was only a snapshot of the Empire State Building, would it have had much impact? (The same with sleep - despite the technical difficulties prohibiting him from filming the full 6 hours of footage, having only a short span of footage on loop would not have had much impact. Obviously it is also about the subject that was being filmed / the content. I noticed that in some aspect, the concept of time/duration is somewhat similar to the bonsai art. Bonsai art does not become significant just because of its duration/history, and I feel that it has much more to do than just the passing of time, (balance, beauty, craftsmanship, etc) but I did think that it was somewhat similar.
Masahiro Kimura
- one of the widely known and recognized bonsai artist in Japan.
- one of the bonsai masters. Won the Prime Ministers Award for his bonsai art in 1988, 1995, 2000, and 2001, and the Minister of Education Award in 1999.
- one of the widely known and recognized bonsai artist in Japan.
- one of the bonsai masters. Won the Prime Ministers Award for his bonsai art in 1988, 1995, 2000, and 2001, and the Minister of Education Award in 1999.
1/30/23
Worked on the longer bonsai art animation sample piece - took longer to render, the less frames per second makes everything appear very pixelated - must find a good medium between 1 fps and 30 fps. - the image on the right was rendered with cycles with max 200 samples. - I encountered couple of problems when applying shape keys. I think this happened because I started with multiple objects with different materials. Once a piece start getting complicated, it's important to save as I go, or render element by element and put them together - still have to figure out how to exactly do that myself but I know that it is definitely possible. For the time being, I was able to solve this problem by duplicating as I save and going back to the previous version and simplifying it if it crashes. - I am still trying to figure out what type of materials I want to add to the base. - VIDEO: - the sample video was rendered with 10 fps with Eevee. - 1000 frames in total, 10 fps. Only 1 min and 40 sec... - clicked out accidentally couple of times, which stopped the rendering. I realized that I should probably leave the computer untouched when rendering. (and leave the computer screen ON.) - about 7 frames per minute. - started rendering around 4:30pm -6:45pm - at 891 th frame Finished around 8- about 2 hours and 30 minutes to render. |
I remodeled the color/texture combo that I liked from the sample.
|
Week 6:
Midterm presentations.
- Spending time - could watch for the entire duration but not meant to be watched, rather spent.
Midterm presentations.
- Spending time - could watch for the entire duration but not meant to be watched, rather spent.
Still trying to figure out how to fasten cycles render time - eevee with 7 fps and 50 samples instead of 70-ish.
Week 5:
Modeled a new bonsai with long take of 2 min (840 frames).
- Realized that the abstract circular shape can not be shape keyed - rotation and material changes will have to do.. can not change from one to another either.
However, realism / biological logic does not really matter in my project.
Had a talk about human interaction - does it matter? - no.
Modeled a new bonsai with long take of 2 min (840 frames).
- Realized that the abstract circular shape can not be shape keyed - rotation and material changes will have to do.. can not change from one to another either.
However, realism / biological logic does not really matter in my project.
Had a talk about human interaction - does it matter? - no.
Week 6:
The more I work and spend time on the project, the more time it takes to render and see the result as the project gets more and more complex. This somewhat felt as if it reflected on the durational aspect of the bonsai art. In a way, I am creating the bonsai art with a destination and the audiences are looking back on the process in which it was developed through the durational video.
Stopped rendering at 630 - will need to add frames from there.
The more I work and spend time on the project, the more time it takes to render and see the result as the project gets more and more complex. This somewhat felt as if it reflected on the durational aspect of the bonsai art. In a way, I am creating the bonsai art with a destination and the audiences are looking back on the process in which it was developed through the durational video.
Stopped rendering at 630 - will need to add frames from there.
Week 7:
One of the difficulties I reached: I do not really like the result that I am getting right now. I will have to re-do from the modeling part... & render all over again.
My friend's computer has a M1 chip and is able to render a little faster than mine, which manages around 10 frames per hour. The render speed somewhat depends on the area in which I am rendering (the earlier frames (1-around 200) took way faster to render than the later frames. On Monday, I spent about 7-8 hours at Mandeville basement to render using their computer - and only got to around 100. I will have to render over night to speed up the process.
THOUGHT:
- the time I have to render is somewhat of a reflection time where I am able to spend hours and hours on looking at a single/only couple of images and think "... why did I do this." or "why did I add this element?" etc. Even if I enjoyed the visual aspect of the model when I render it, the 'flaws' and 'low-executed areas' become more and more apparent as I get more time to look at it later. However, at that point of rendering (as I experienced from having spent almost 7 hours at Mandeville with their computer + 8 hours over night and having to re-start for not liking the project) it is too late to turn back - the frustration and sadness that I felt when having to discard something that I spent hours and hours on was painful. I feel that this is somewhat reflective of the bonsai art tradition - it is possible to replicate something so traditional with tech...?
One of the difficulties I reached: I do not really like the result that I am getting right now. I will have to re-do from the modeling part... & render all over again.
My friend's computer has a M1 chip and is able to render a little faster than mine, which manages around 10 frames per hour. The render speed somewhat depends on the area in which I am rendering (the earlier frames (1-around 200) took way faster to render than the later frames. On Monday, I spent about 7-8 hours at Mandeville basement to render using their computer - and only got to around 100. I will have to render over night to speed up the process.
THOUGHT:
- the time I have to render is somewhat of a reflection time where I am able to spend hours and hours on looking at a single/only couple of images and think "... why did I do this." or "why did I add this element?" etc. Even if I enjoyed the visual aspect of the model when I render it, the 'flaws' and 'low-executed areas' become more and more apparent as I get more time to look at it later. However, at that point of rendering (as I experienced from having spent almost 7 hours at Mandeville with their computer + 8 hours over night and having to re-start for not liking the project) it is too late to turn back - the frustration and sadness that I felt when having to discard something that I spent hours and hours on was painful. I feel that this is somewhat reflective of the bonsai art tradition - it is possible to replicate something so traditional with tech...?
Week 8:
1 on 1 in class, started on rendering the new model.
1 on 1 in class, started on rendering the new model.
It appears as if nothing changed expect for the sky - to me, the changes are quite visible because I spent hours working on the slightest changes.
One question that arose: projector?
- went to the media lab, they allow people to use the projector for 2 days max. I could rent it over the weekend to extend the length of time I can rent it out by going on Thursday/ Friday, OR I could go in and rent it out, come back and rent it out again unless someone else needed it. They also do rent out during finals week.
- resolution: regular HD - 1920*1080.
One question that arose: projector?
- went to the media lab, they allow people to use the projector for 2 days max. I could rent it over the weekend to extend the length of time I can rent it out by going on Thursday/ Friday, OR I could go in and rent it out, come back and rent it out again unless someone else needed it. They also do rent out during finals week.
- resolution: regular HD - 1920*1080.
Week 9:
FINISHED rendering!!!!
- took about 3 full days for cycles rendering
- had to redo the last render because of the centering issue:(
- Tested out the projector - need to keep it stable, will go to class early to test it out in class setting. (12:30 class - arrive around 11:45ish should be fine...)
- The remote did not really do anything
- took about 3 full days for cycles rendering
- had to redo the last render because of the centering issue:(
- Tested out the projector - need to keep it stable, will go to class early to test it out in class setting. (12:30 class - arrive around 11:45ish should be fine...)
- The remote did not really do anything
Week 10:
- The 3000 frames with 1 fps ended up with 50 minutes worth of footage - the video would be longer because for the final exhibition for the second quarter I will probably decrease the frame per second.
- the rendering of the video actually only took about 3-5 minutes. My hard drive was able to store the file without any problem. Yay.
- the rendering of the video actually only took about 3-5 minutes. My hard drive was able to store the file without any problem. Yay.